My artistic practice is an ongoing investigation into ambivalence and the invisible systems that shape how we understand ourselves, our surroundings, and where we belong.

 

Through painting, installation, photography, and objects, I examine the structures we use to organise human experience: colour, time, language, measurement, memory, cultural symbols, and everyday objects.

 

I am interested in what happens when these systems no longer offer a single, stable meaning. How can something be left and right at the same time? How can a colour signify both attraction and danger? How can time be measurable yet deeply subjective? How can an object belong to a culture while simultaneously take on an entirely different meaning outside of it?

 

I do not attempt to resolve these contradictions. I investigate the space between them.As an Architect of Ambivalence, I construct situations in which opposing meanings can coexist.

 

My works become spaces of investigation, where familiar systems are displaced, questioned, or reorganised, allowing new meanings to emerge.

 

Ambivalence is not my conclusion. It is my field of research and a method through which I investigate the systems that shape human experience and belonging.